{"id":67907,"date":"2026-02-16T11:34:15","date_gmt":"2026-02-16T10:34:15","guid":{"rendered":"http:\/fmalar011v51aa3m-en"},"modified":"2026-02-16T11:34:15","modified_gmt":"2026-02-16T10:34:15","slug":"festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670","status":"publish","type":"agenda","link":"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/","title":{"rendered":"FESTIVAL DE CARCASSONNE -JEAN-PAUL ROUVE DANS LE BOURGEOIS GENTILHOMME DE MOLI\u00c8RE (1670)"},"author":6,"template":"","class_list":["post-67907","agenda","type-agenda","status-publish","hentry"],"acf":[],"yoast_head":"\nFESTIVAL DE CARCASSONNE -JEAN-PAUL ROUVE DANS LE BOURGEOIS GENTILHOMME DE MOLI\u00c8RE (1670) - Office de tourisme de Carcassonne<\/title>\n<meta name=\"description\" content=\"A beloved comedian and major figure of French cinema, Jean-Paul Rouve takes on one of Moli\u00e8re\u2019s greatest masterpieces in a lively and joyful version of Le Bourgeois Gentilhomme, which will find its full resonance at the Ch\u00e2teau Comtal. Created in 1670 for the court of Louis XIV, this comedy-ballet blends theatre, music, and dance. Beneath the appearance of a baroque and musical farce, Le Bourgeois Gentilhomme portrays the illusions of a wealthy bourgeois fascinated by the nobility. In an attempt to enter this idealized world, he surrounds himself with masters of various disciplines \u2014 dance, music, fencing, philosophy \u2014 and becomes prey to flatterers and impostors. In a whirlwind of misunderstandings, arranged marriages, and scenes inspired by the Orient, the play humorously explores the boundaries between social classes, the power of appearances, and the ridiculousness of ambition. Director\u2019s note J\u00e9r\u00e9mie Lippmann \u2013 Stage Director This Bourgeois Gentilhomme celebrates comedy and the sheer pleasure of performance. From satire to farce, it makes laughter a vehicle for both enjoyment and reflection. The staging will draw on the entertaining ambiguity of spectacle \u2014 both delightful and disorienting. It amuses even as it misleads, enlightens even as it distracts. With a sustained rhythm, strongly defined and vividly embodied characters follow one another, sweeping the audience into a succession of grotesque situations. Comedy thus acts as a jubilant veil, concealing a theatre of illusions and false appearances. Conceived as an arena, the stage space evokes both a circus ring and the carousel of appearances. Each character will step in, one after another, to present their act and defend their interests. This infernal circle accelerates as the scenes unfold. The set evolves and transforms, mirroring the protagonist\u2019s growing blindness. The costumes, faithful to the era of the play, embody the disguises, ambitions, and lies of those who wear them. At times finery, at times costume, they lie at the heart of the collective deception. Music, omnipresent, draws its baroque foundations from Lully. It too plays a double game: it guides, suggests, betrays, and unleashes comedy. At key moments, it escapes the 17th century and shifts toward more contemporary sounds, highlighting through contrast the absurdity \u2014 or modernity \u2014 of the situations. The ballets accompany these compositions, intensifying the frenzy and exaltation of ridicule, where the body expresses what words conceal. They push Monsieur Jourdain\u2019s illusions of grandeur to their peak. Through him, Moli\u00e8re paints a world where appearances, language, and manners become objects of desire as much as mockery. The famous revelation about prose is both comic and touching: \u201cAnd the way we speak \u2014 what is that then?\u201d \u201cProse.\u201d \u201cWhat? When I say: \u2018Nicole, bring me my slippers and give me my nightcap,\u2019 that\u2019s prose?\u201d \u201cYes, sir.\u201d This candid discovery \u2014 \u201cBy my faith, I\u2019ve been speaking prose for more than forty years without knowing it!\u201d \u2014 becomes the symbol of the gap between what one is and what one believes oneself to be. By combining baroque aesthetics with contemporary echoes, this exhilarating production aims to make the pleasure of theatre resonate in all its sensory and critical richness. A complete show \u2014 at once funny, cruel, and dazzling \u2014 in which everyone may recognize a little of their own comedy.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FESTIVAL DE CARCASSONNE -JEAN-PAUL ROUVE DANS LE BOURGEOIS GENTILHOMME DE MOLI\u00c8RE (1670) - Office de tourisme de Carcassonne\" \/>\n<meta property=\"og:description\" content=\"A beloved comedian and major figure of French cinema, Jean-Paul Rouve takes on one of Moli\u00e8re\u2019s greatest masterpieces in a lively and joyful version of Le Bourgeois Gentilhomme, which will find its full resonance at the Ch\u00e2teau Comtal. Created in 1670 for the court of Louis XIV, this comedy-ballet blends theatre, music, and dance. Beneath the appearance of a baroque and musical farce, Le Bourgeois Gentilhomme portrays the illusions of a wealthy bourgeois fascinated by the nobility. In an attempt to enter this idealized world, he surrounds himself with masters of various disciplines \u2014 dance, music, fencing, philosophy \u2014 and becomes prey to flatterers and impostors. In a whirlwind of misunderstandings, arranged marriages, and scenes inspired by the Orient, the play humorously explores the boundaries between social classes, the power of appearances, and the ridiculousness of ambition. Director\u2019s note J\u00e9r\u00e9mie Lippmann \u2013 Stage Director This Bourgeois Gentilhomme celebrates comedy and the sheer pleasure of performance. From satire to farce, it makes laughter a vehicle for both enjoyment and reflection. The staging will draw on the entertaining ambiguity of spectacle \u2014 both delightful and disorienting. It amuses even as it misleads, enlightens even as it distracts. With a sustained rhythm, strongly defined and vividly embodied characters follow one another, sweeping the audience into a succession of grotesque situations. Comedy thus acts as a jubilant veil, concealing a theatre of illusions and false appearances. Conceived as an arena, the stage space evokes both a circus ring and the carousel of appearances. Each character will step in, one after another, to present their act and defend their interests. This infernal circle accelerates as the scenes unfold. The set evolves and transforms, mirroring the protagonist\u2019s growing blindness. The costumes, faithful to the era of the play, embody the disguises, ambitions, and lies of those who wear them. At times finery, at times costume, they lie at the heart of the collective deception. Music, omnipresent, draws its baroque foundations from Lully. It too plays a double game: it guides, suggests, betrays, and unleashes comedy. At key moments, it escapes the 17th century and shifts toward more contemporary sounds, highlighting through contrast the absurdity \u2014 or modernity \u2014 of the situations. The ballets accompany these compositions, intensifying the frenzy and exaltation of ridicule, where the body expresses what words conceal. They push Monsieur Jourdain\u2019s illusions of grandeur to their peak. Through him, Moli\u00e8re paints a world where appearances, language, and manners become objects of desire as much as mockery. The famous revelation about prose is both comic and touching: \u201cAnd the way we speak \u2014 what is that then?\u201d \u201cProse.\u201d \u201cWhat? When I say: \u2018Nicole, bring me my slippers and give me my nightcap,\u2019 that\u2019s prose?\u201d \u201cYes, sir.\u201d This candid discovery \u2014 \u201cBy my faith, I\u2019ve been speaking prose for more than forty years without knowing it!\u201d \u2014 becomes the symbol of the gap between what one is and what one believes oneself to be. By combining baroque aesthetics with contemporary echoes, this exhilarating production aims to make the pleasure of theatre resonate in all its sensory and critical richness. A complete show \u2014 at once funny, cruel, and dazzling \u2014 in which everyone may recognize a little of their own comedy.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/\" \/>\n<meta property=\"og:site_name\" content=\"Office de tourisme de Carcassonne\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/tourismecarcassonne\/\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/\",\"url\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/\",\"name\":\"FESTIVAL DE CARCASSONNE -JEAN-PAUL ROUVE DANS LE BOURGEOIS GENTILHOMME DE MOLI\u00c8RE (1670) - Office de tourisme de Carcassonne\",\"isPartOf\":{\"@id\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/#website\"},\"datePublished\":\"2026-02-16T10:34:15+00:00\",\"description\":\"A beloved comedian and major figure of French cinema, Jean-Paul Rouve takes on one of Moli\u00e8re\u2019s greatest masterpieces in a lively and joyful version of Le Bourgeois Gentilhomme, which will find its full resonance at the Ch\u00e2teau Comtal. Created in 1670 for the court of Louis XIV, this comedy-ballet blends theatre, music, and dance. Beneath the appearance of a baroque and musical farce, Le Bourgeois Gentilhomme portrays the illusions of a wealthy bourgeois fascinated by the nobility. In an attempt to enter this idealized world, he surrounds himself with masters of various disciplines \u2014 dance, music, fencing, philosophy \u2014 and becomes prey to flatterers and impostors. In a whirlwind of misunderstandings, arranged marriages, and scenes inspired by the Orient, the play humorously explores the boundaries between social classes, the power of appearances, and the ridiculousness of ambition. Director\u2019s note J\u00e9r\u00e9mie Lippmann \u2013 Stage Director This Bourgeois Gentilhomme celebrates comedy and the sheer pleasure of performance. From satire to farce, it makes laughter a vehicle for both enjoyment and reflection. The staging will draw on the entertaining ambiguity of spectacle \u2014 both delightful and disorienting. It amuses even as it misleads, enlightens even as it distracts. With a sustained rhythm, strongly defined and vividly embodied characters follow one another, sweeping the audience into a succession of grotesque situations. Comedy thus acts as a jubilant veil, concealing a theatre of illusions and false appearances. Conceived as an arena, the stage space evokes both a circus ring and the carousel of appearances. Each character will step in, one after another, to present their act and defend their interests. This infernal circle accelerates as the scenes unfold. The set evolves and transforms, mirroring the protagonist\u2019s growing blindness. The costumes, faithful to the era of the play, embody the disguises, ambitions, and lies of those who wear them. At times finery, at times costume, they lie at the heart of the collective deception. Music, omnipresent, draws its baroque foundations from Lully. It too plays a double game: it guides, suggests, betrays, and unleashes comedy. At key moments, it escapes the 17th century and shifts toward more contemporary sounds, highlighting through contrast the absurdity \u2014 or modernity \u2014 of the situations. The ballets accompany these compositions, intensifying the frenzy and exaltation of ridicule, where the body expresses what words conceal. They push Monsieur Jourdain\u2019s illusions of grandeur to their peak. Through him, Moli\u00e8re paints a world where appearances, language, and manners become objects of desire as much as mockery. The famous revelation about prose is both comic and touching: \u201cAnd the way we speak \u2014 what is that then?\u201d \u201cProse.\u201d \u201cWhat? When I say: \u2018Nicole, bring me my slippers and give me my nightcap,\u2019 that\u2019s prose?\u201d \u201cYes, sir.\u201d This candid discovery \u2014 \u201cBy my faith, I\u2019ve been speaking prose for more than forty years without knowing it!\u201d \u2014 becomes the symbol of the gap between what one is and what one believes oneself to be. By combining baroque aesthetics with contemporary echoes, this exhilarating production aims to make the pleasure of theatre resonate in all its sensory and critical richness. A complete show \u2014 at once funny, cruel, and dazzling \u2014 in which everyone may recognize a little of their own comedy.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Events\",\"item\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/agenda\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"FESTIVAL DE CARCASSONNE -JEAN-PAUL ROUVE DANS LE BOURGEOIS GENTILHOMME DE MOLI\u00c8RE (1670)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/#website\",\"url\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/\",\"name\":\"Office de tourisme de Carcassonne\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/#organization\",\"name\":\"Office de tourisme de Carcassonne\",\"url\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.tourisme-carcassonne.fr\/assets\/uploads\/2021\/11\/logo-carcassonne.svg\",\"contentUrl\":\"https:\/\/www.tourisme-carcassonne.fr\/assets\/uploads\/2021\/11\/logo-carcassonne.svg\",\"width\":167,\"height\":49,\"caption\":\"Office de tourisme de Carcassonne\"},\"image\":{\"@id\":\"https:\/\/www.tourisme-carcassonne.fr\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/tourismecarcassonne\/\",\"https:\/\/www.instagram.com\/tourismecarcassonne\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"FESTIVAL DE CARCASSONNE -JEAN-PAUL ROUVE DANS LE BOURGEOIS GENTILHOMME DE MOLI\u00c8RE (1670) - Office de tourisme de Carcassonne","description":"A beloved comedian and major figure of French cinema, Jean-Paul Rouve takes on one of Moli\u00e8re\u2019s greatest masterpieces in a lively and joyful version of Le Bourgeois Gentilhomme, which will find its full resonance at the Ch\u00e2teau Comtal. Created in 1670 for the court of Louis XIV, this comedy-ballet blends theatre, music, and dance. Beneath the appearance of a baroque and musical farce, Le Bourgeois Gentilhomme portrays the illusions of a wealthy bourgeois fascinated by the nobility. In an attempt to enter this idealized world, he surrounds himself with masters of various disciplines \u2014 dance, music, fencing, philosophy \u2014 and becomes prey to flatterers and impostors. In a whirlwind of misunderstandings, arranged marriages, and scenes inspired by the Orient, the play humorously explores the boundaries between social classes, the power of appearances, and the ridiculousness of ambition. Director\u2019s note J\u00e9r\u00e9mie Lippmann \u2013 Stage Director This Bourgeois Gentilhomme celebrates comedy and the sheer pleasure of performance. From satire to farce, it makes laughter a vehicle for both enjoyment and reflection. The staging will draw on the entertaining ambiguity of spectacle \u2014 both delightful and disorienting. It amuses even as it misleads, enlightens even as it distracts. With a sustained rhythm, strongly defined and vividly embodied characters follow one another, sweeping the audience into a succession of grotesque situations. Comedy thus acts as a jubilant veil, concealing a theatre of illusions and false appearances. Conceived as an arena, the stage space evokes both a circus ring and the carousel of appearances. Each character will step in, one after another, to present their act and defend their interests. This infernal circle accelerates as the scenes unfold. The set evolves and transforms, mirroring the protagonist\u2019s growing blindness. The costumes, faithful to the era of the play, embody the disguises, ambitions, and lies of those who wear them. At times finery, at times costume, they lie at the heart of the collective deception. Music, omnipresent, draws its baroque foundations from Lully. It too plays a double game: it guides, suggests, betrays, and unleashes comedy. At key moments, it escapes the 17th century and shifts toward more contemporary sounds, highlighting through contrast the absurdity \u2014 or modernity \u2014 of the situations. The ballets accompany these compositions, intensifying the frenzy and exaltation of ridicule, where the body expresses what words conceal. They push Monsieur Jourdain\u2019s illusions of grandeur to their peak. Through him, Moli\u00e8re paints a world where appearances, language, and manners become objects of desire as much as mockery. The famous revelation about prose is both comic and touching: \u201cAnd the way we speak \u2014 what is that then?\u201d \u201cProse.\u201d \u201cWhat? When I say: \u2018Nicole, bring me my slippers and give me my nightcap,\u2019 that\u2019s prose?\u201d \u201cYes, sir.\u201d This candid discovery \u2014 \u201cBy my faith, I\u2019ve been speaking prose for more than forty years without knowing it!\u201d \u2014 becomes the symbol of the gap between what one is and what one believes oneself to be. By combining baroque aesthetics with contemporary echoes, this exhilarating production aims to make the pleasure of theatre resonate in all its sensory and critical richness. A complete show \u2014 at once funny, cruel, and dazzling \u2014 in which everyone may recognize a little of their own comedy.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/","og_locale":"en_US","og_type":"article","og_title":"FESTIVAL DE CARCASSONNE -JEAN-PAUL ROUVE DANS LE BOURGEOIS GENTILHOMME DE MOLI\u00c8RE (1670) - Office de tourisme de Carcassonne","og_description":"A beloved comedian and major figure of French cinema, Jean-Paul Rouve takes on one of Moli\u00e8re\u2019s greatest masterpieces in a lively and joyful version of Le Bourgeois Gentilhomme, which will find its full resonance at the Ch\u00e2teau Comtal. Created in 1670 for the court of Louis XIV, this comedy-ballet blends theatre, music, and dance. Beneath the appearance of a baroque and musical farce, Le Bourgeois Gentilhomme portrays the illusions of a wealthy bourgeois fascinated by the nobility. In an attempt to enter this idealized world, he surrounds himself with masters of various disciplines \u2014 dance, music, fencing, philosophy \u2014 and becomes prey to flatterers and impostors. In a whirlwind of misunderstandings, arranged marriages, and scenes inspired by the Orient, the play humorously explores the boundaries between social classes, the power of appearances, and the ridiculousness of ambition. Director\u2019s note J\u00e9r\u00e9mie Lippmann \u2013 Stage Director This Bourgeois Gentilhomme celebrates comedy and the sheer pleasure of performance. From satire to farce, it makes laughter a vehicle for both enjoyment and reflection. The staging will draw on the entertaining ambiguity of spectacle \u2014 both delightful and disorienting. It amuses even as it misleads, enlightens even as it distracts. With a sustained rhythm, strongly defined and vividly embodied characters follow one another, sweeping the audience into a succession of grotesque situations. Comedy thus acts as a jubilant veil, concealing a theatre of illusions and false appearances. Conceived as an arena, the stage space evokes both a circus ring and the carousel of appearances. Each character will step in, one after another, to present their act and defend their interests. This infernal circle accelerates as the scenes unfold. The set evolves and transforms, mirroring the protagonist\u2019s growing blindness. The costumes, faithful to the era of the play, embody the disguises, ambitions, and lies of those who wear them. At times finery, at times costume, they lie at the heart of the collective deception. Music, omnipresent, draws its baroque foundations from Lully. It too plays a double game: it guides, suggests, betrays, and unleashes comedy. At key moments, it escapes the 17th century and shifts toward more contemporary sounds, highlighting through contrast the absurdity \u2014 or modernity \u2014 of the situations. The ballets accompany these compositions, intensifying the frenzy and exaltation of ridicule, where the body expresses what words conceal. They push Monsieur Jourdain\u2019s illusions of grandeur to their peak. Through him, Moli\u00e8re paints a world where appearances, language, and manners become objects of desire as much as mockery. The famous revelation about prose is both comic and touching: \u201cAnd the way we speak \u2014 what is that then?\u201d \u201cProse.\u201d \u201cWhat? When I say: \u2018Nicole, bring me my slippers and give me my nightcap,\u2019 that\u2019s prose?\u201d \u201cYes, sir.\u201d This candid discovery \u2014 \u201cBy my faith, I\u2019ve been speaking prose for more than forty years without knowing it!\u201d \u2014 becomes the symbol of the gap between what one is and what one believes oneself to be. By combining baroque aesthetics with contemporary echoes, this exhilarating production aims to make the pleasure of theatre resonate in all its sensory and critical richness. A complete show \u2014 at once funny, cruel, and dazzling \u2014 in which everyone may recognize a little of their own comedy.","og_url":"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/","og_site_name":"Office de tourisme de Carcassonne","article_publisher":"https:\/\/www.facebook.com\/tourismecarcassonne\/","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/","url":"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/","name":"FESTIVAL DE CARCASSONNE -JEAN-PAUL ROUVE DANS LE BOURGEOIS GENTILHOMME DE MOLI\u00c8RE (1670) - Office de tourisme de Carcassonne","isPartOf":{"@id":"https:\/\/www.tourisme-carcassonne.fr\/en\/#website"},"datePublished":"2026-02-16T10:34:15+00:00","description":"A beloved comedian and major figure of French cinema, Jean-Paul Rouve takes on one of Moli\u00e8re\u2019s greatest masterpieces in a lively and joyful version of Le Bourgeois Gentilhomme, which will find its full resonance at the Ch\u00e2teau Comtal. Created in 1670 for the court of Louis XIV, this comedy-ballet blends theatre, music, and dance. Beneath the appearance of a baroque and musical farce, Le Bourgeois Gentilhomme portrays the illusions of a wealthy bourgeois fascinated by the nobility. In an attempt to enter this idealized world, he surrounds himself with masters of various disciplines \u2014 dance, music, fencing, philosophy \u2014 and becomes prey to flatterers and impostors. In a whirlwind of misunderstandings, arranged marriages, and scenes inspired by the Orient, the play humorously explores the boundaries between social classes, the power of appearances, and the ridiculousness of ambition. Director\u2019s note J\u00e9r\u00e9mie Lippmann \u2013 Stage Director This Bourgeois Gentilhomme celebrates comedy and the sheer pleasure of performance. From satire to farce, it makes laughter a vehicle for both enjoyment and reflection. The staging will draw on the entertaining ambiguity of spectacle \u2014 both delightful and disorienting. It amuses even as it misleads, enlightens even as it distracts. With a sustained rhythm, strongly defined and vividly embodied characters follow one another, sweeping the audience into a succession of grotesque situations. Comedy thus acts as a jubilant veil, concealing a theatre of illusions and false appearances. Conceived as an arena, the stage space evokes both a circus ring and the carousel of appearances. Each character will step in, one after another, to present their act and defend their interests. This infernal circle accelerates as the scenes unfold. The set evolves and transforms, mirroring the protagonist\u2019s growing blindness. The costumes, faithful to the era of the play, embody the disguises, ambitions, and lies of those who wear them. At times finery, at times costume, they lie at the heart of the collective deception. Music, omnipresent, draws its baroque foundations from Lully. It too plays a double game: it guides, suggests, betrays, and unleashes comedy. At key moments, it escapes the 17th century and shifts toward more contemporary sounds, highlighting through contrast the absurdity \u2014 or modernity \u2014 of the situations. The ballets accompany these compositions, intensifying the frenzy and exaltation of ridicule, where the body expresses what words conceal. They push Monsieur Jourdain\u2019s illusions of grandeur to their peak. Through him, Moli\u00e8re paints a world where appearances, language, and manners become objects of desire as much as mockery. The famous revelation about prose is both comic and touching: \u201cAnd the way we speak \u2014 what is that then?\u201d \u201cProse.\u201d \u201cWhat? When I say: \u2018Nicole, bring me my slippers and give me my nightcap,\u2019 that\u2019s prose?\u201d \u201cYes, sir.\u201d This candid discovery \u2014 \u201cBy my faith, I\u2019ve been speaking prose for more than forty years without knowing it!\u201d \u2014 becomes the symbol of the gap between what one is and what one believes oneself to be. By combining baroque aesthetics with contemporary echoes, this exhilarating production aims to make the pleasure of theatre resonate in all its sensory and critical richness. A complete show \u2014 at once funny, cruel, and dazzling \u2014 in which everyone may recognize a little of their own comedy.","breadcrumb":{"@id":"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.tourisme-carcassonne.fr\/en\/calendar\/festival-de-carcassonne-jean-paul-rouve-dans-le-bourgeois-gentilhomme-de-moliere-1670\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.tourisme-carcassonne.fr\/en\/"},{"@type":"ListItem","position":2,"name":"Events","item":"https:\/\/www.tourisme-carcassonne.fr\/en\/agenda\/"},{"@type":"ListItem","position":3,"name":"FESTIVAL DE CARCASSONNE -JEAN-PAUL ROUVE DANS LE BOURGEOIS GENTILHOMME DE MOLI\u00c8RE (1670)"}]},{"@type":"WebSite","@id":"https:\/\/www.tourisme-carcassonne.fr\/en\/#website","url":"https:\/\/www.tourisme-carcassonne.fr\/en\/","name":"Office de tourisme de Carcassonne","description":"","publisher":{"@id":"https:\/\/www.tourisme-carcassonne.fr\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.tourisme-carcassonne.fr\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.tourisme-carcassonne.fr\/en\/#organization","name":"Office de tourisme de Carcassonne","url":"https:\/\/www.tourisme-carcassonne.fr\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.tourisme-carcassonne.fr\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.tourisme-carcassonne.fr\/assets\/uploads\/2021\/11\/logo-carcassonne.svg","contentUrl":"https:\/\/www.tourisme-carcassonne.fr\/assets\/uploads\/2021\/11\/logo-carcassonne.svg","width":167,"height":49,"caption":"Office de tourisme de Carcassonne"},"image":{"@id":"https:\/\/www.tourisme-carcassonne.fr\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/tourismecarcassonne\/","https:\/\/www.instagram.com\/tourismecarcassonne\/"]}]}},"_links":{"self":[{"href":"https:\/\/www.tourisme-carcassonne.fr\/en\/wp-json\/wp\/v2\/agenda\/67907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tourisme-carcassonne.fr\/en\/wp-json\/wp\/v2\/agenda"}],"about":[{"href":"https:\/\/www.tourisme-carcassonne.fr\/en\/wp-json\/wp\/v2\/types\/agenda"}],"author":[{"embeddable":true,"href":"https:\/\/www.tourisme-carcassonne.fr\/en\/wp-json\/wp\/v2\/users\/6"}],"wp:attachment":[{"href":"https:\/\/www.tourisme-carcassonne.fr\/en\/wp-json\/wp\/v2\/media?parent=67907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}